更新时间:2019-12-21
本•拉基 • 天才一族:Deconstructing funny
前几天在油管上看了一个解读Wes Anderson电影的视频https://www.youtube.com/watch?v=5G_sn4OINJg。标题为deconstructing funny。看完这个就找了这部typical wes Anderson的The Royal Tenenbaums。
然后把这个视频稍微paraphrase一下。（由于本人英文垃圾中文也垃圾，所以paraphrase地不仅不准确还有可能出错，所以能科学上网的朋友们自行观看）。
Common principle: all these worlds in Wes Anderson’s films are created with the sole purpose of housing morally dignified citizens into polite society. Wes Anderson focuses on the beauty and order and yet lets you glance at the seedy underbelly of filth, chaos and mayhem. In another words, the abyss that beautiful sittings hide.
His characters are refined and with intricately ordered words. Andhumor arises when they try and sometimes fail to remain poised in the face of disorder.
Firstly, disruption of character.
Secondly, rudeness at odds with sittings.
Thirdly, language politeness at odds with settings（窝觉得第三条跟第二条是一样的）
And finally, exercise control and fail.
Civility is all about expectations. Where and why dialogues happen sets the those expectations.
Let’s take this conversation as an example. Chas is Royal’s son and a brilliant business man himself. He shouldn’t swear at his father in front of his sons that he cares so much. Yet he did it the dinner table.
Let’s take another conversation as an example.
Chas’s behavior seems unacceptable at first.His father told them that he is dying while Chas’s yawn suggests his cursoriness and indifference about that.
But it feels justified by the end of this scene. Notice Royal’s world “swing by”that choice of word makes him the bigger jerk in this family than his son which implies the casualness about something. People swing by a bookshop or a bakery but they should “congregate”by a grave.
Coarseness isn’t just caused by the choice of words also could be the tone. Here Royal used “have to”which means he will “swing by”Chas’s wife’s grave out of manners and obligations, but not his own willingness.
And when they finally failed to remain their dignity, even the most composed chaps will eventually reach their breaking point.
Anger brings the worst out of us. When plan fails, society crumbles, we gradually descend into barbarism.
The Tenenbaums characters live in a world of pain, trying to make it another day throughout this inhospitable albeit candy-colored world. Their rudeness is an expression of fear. But more than that, it’s a thin veneer that keeps suffering at bay.
But order, manner, civility and decorum still hold a great part in Wes Anderson’s films. Are they another mask used to distance oneself from one’s true feeling?
然后把这个视频稍微paraphrase一下。（由于本人英文垃圾中文也垃圾，所以paraphrase地不仅不准确还有可能出错，所以能科学上网的朋友们自行观看）。
Common principle: all these worlds in Wes Anderson’s films are created with the sole purpose of housing morally dignified citizens into polite society. Wes Anderson focuses on the beauty and order and yet lets you glance at the seedy underbelly of filth, chaos and mayhem. In another words, the abyss that beautiful sittings hide.
His characters are refined and with intricately ordered words. Andhumor arises when they try and sometimes fail to remain poised in the face of disorder.
Firstly, disruption of character.
Secondly, rudeness at odds with sittings.
Thirdly, language politeness at odds with settings（窝觉得第三条跟第二条是一样的）
And finally, exercise control and fail.
Civility is all about expectations. Where and why dialogues happen sets the those expectations.
Let’s take this conversation as an example. Chas is Royal’s son and a brilliant business man himself. He shouldn’t swear at his father in front of his sons that he cares so much. Yet he did it the dinner table.
Let’s take another conversation as an example.
Chas’s behavior seems unacceptable at first.His father told them that he is dying while Chas’s yawn suggests his cursoriness and indifference about that.
But it feels justified by the end of this scene. Notice Royal’s world “swing by”that choice of word makes him the bigger jerk in this family than his son which implies the casualness about something. People swing by a bookshop or a bakery but they should “congregate”by a grave.
Coarseness isn’t just caused by the choice of words also could be the tone. Here Royal used “have to”which means he will “swing by”Chas’s wife’s grave out of manners and obligations, but not his own willingness.
And when they finally failed to remain their dignity, even the most composed chaps will eventually reach their breaking point.
Anger brings the worst out of us. When plan fails, society crumbles, we gradually descend into barbarism.
The Tenenbaums characters live in a world of pain, trying to make it another day throughout this inhospitable albeit candy-colored world. Their rudeness is an expression of fear. But more than that, it’s a thin veneer that keeps suffering at bay.
But order, manner, civility and decorum still hold a great part in Wes Anderson’s films. Are they another mask used to distance oneself from one’s true feeling?
天才一族The Royal Tenenbaums(2001)
又名：癫才家族(港) / 特伦鲍姆一家
上映日期：2001-12-14片长：110分钟
主演：吉恩·哈克曼 Gene Hackman/安杰丽卡·休斯顿 Anjelica Huston/本·斯蒂勒 Ben Stiller/格温妮斯·帕特洛 Gwyneth Paltrow/卢克·威尔逊 Luke Wilson/欧文·威尔逊 Owen Wilson/比尔·默瑞 Bill Murray/丹尼·格洛弗 Danny Glover/西摩·卡塞尔 Seymour Cassel/库玛·帕拉纳 Kumar Pallana/亚历克·鲍德温 Alec Baldwin/格兰特·罗森梅耶 Grant Rosenmeyer/乔纳·梅耶森 Jonah Meyerson/Aram Aslanian-Persico/艾琳·戈洛瓦娅 Irene Gorovaia
导演：韦斯·安德森 Wes Anderson编剧：韦斯·安德森 Wes Anderson/欧文·威尔逊 Owen Wilson
