更新时间:2010-07-23
Tanya • 愤怒的公牛:几个情节分析
电影时间大约是从1：12：38 到1：15：16，共156秒，shot 1-9 /23
SHOT #1
http://npxgva.bay.livefilestore.com/y1pXU8A8dQH77DHhWOo-Dwh_mV7PfmDdCRhF2PV0IGSU9C_wHTEefl0hQdyw4AfcJwgjkhLM1c9xSOZ6eFGXTgPlQ?PARTNER=WRITER
After a quarrel with Vickie and Joe, Jack turned back to the room. We see him lying down on the bed. It is a bright and tidy bedroom. His eyes are closed and his face is twisted looking as though he is expressing anger. He is known to unleash jealousy and anxiety onto other,as if he ca not communicate with people but instead resort to violence. The film uses the low-contrast to achieve a more naturalistic lighting, and a long shot in this frame to depict character and his surroundings.
该情节从JACK躺在酒店的床上开始，之前他刚和客厅的JOE（哥哥）及VICKY（妻子）拌嘴，从画面中我们可以看见他的双眼紧闭，脸部表情僵硬。
SAME SHOT #1
http://npxgva.bay.livefilestore.com/y1pehVfoF1MDA4HKXTiSK2XYWRYXnBw5p5RIVwAX39k4b8MtODmwuPlcAKAiLJPSM9ijMbS8Ujs-QOxgcb_CPB2OA?PARTNER=WRITER
In the same scene, Joe knocks on the door and tell Jack that Tommy’s coming. At this time, Jack rises and leaves the room to greet his guests. The door is an important element in this sequence. On the one hand, it links two settings including the bedroom and the passage; On the other hand, it distinguishes two different worlds, Jack’s own inner world and the world around him. When Joe opens the door, he also opens the outer world to Jack.
同一个镜头里，JOE敲门进来并通知JACK关于TOMMY的来访。JACK起身离开房间招呼客人。门在这一系列的场景中是一个重要的元素，一方面它起到连接两个场景的作用（卧室与走廊）；另一方面，它也区分了JACK的个人世界，与他所敌对的外部世界。当JOE轻轻把门打开的同时，也暗示着他为JACK打开了外部的世界。
SHOT #2
http://npxgva.bay.livefilestore.com/y1pKr6J0hdgmBvlj6-9rkzbe9H3qZJqcH1xS4TrHPmo7BwFCsWwKKKTCNm2Yd0Ga0Dpkcv1CKdn4Wn0wus1vGa3RA?PARTNER=WRITER
The use of deep space allows two events to appear in the same image. In the foreground, Jack greets his guests in a reluctant manner. They dress in black and are standing in the narrow passage, a striking contrast with the background which Vicky chatting with others in a bright living room. At this moment, the space between objects and the camera not only further establishes the surrounding, but also implies a gap between Jack and his wife.
Deep space的运用让两个场景同时出现在画面上。前景是JACK在过道上和客人打招呼，空间拥挤，演员深色的着装也让画面呈现较暗，与远景明亮而宽敞的客厅产生对比。在这里，场景与镜头间的距离不仅进一步呈现了环境，而且也体现了JACK与VICKY之间的隔阂与不信任
SHOT #３－５
http://npxgva.bay.livefilestore.com/y1pTocMhIw43ck7IWwUMNL1fRFN8V3SRR0hP3Ob3KxorkS0bZLOG7IYJG3vAbsFJe88k_In8svwmPZko4iFV0jmPw?PARTNER=WRITER
http://npxgva.bay.livefilestore.com/y1pXZq_5BklDbSKyDgBHOgsjdsGYjucdnRUVFvQ97TrFNl8YAJ950D3m0ZbMkDKTdf8okYSiRU4OBU4KQEiCjE6OQ?PARTNER=WRITER
http://npxgva.bay.livefilestore.com/y1pTfUdqy7SmfFVWW0yET8-t0BvgazJPKRzmLu0sBTAlY8vl99EMRcB9M4oifBQg5NmFb9E0s6SIScYLuA5VieLbA?PARTNER=WRITER
After greeting each other，the camera moves forward with 3 close-ups of both Jack and Tommy. The background music continues, however the street noises fade away and makes an effort for the audience to focus on the conversation. Tommy asks some questions concerning the coming fight and wishes Jack luck. His face is shot from a high-level camera matching Jack’s eyeline, emphasizing Jack’s tall burly figure. After several shot/reverse shot, at the end of the dialogue a reestablishing shot has been used to show once again the spatial relationship introduced with the shot #2. In this medium long shot, we can see Jack stand with arms akimbo, again emphasizing his anxiety and impatience.
对于马上来临的拳王争霸赛，TOMMY对JACK表示了关心。但是JACK表情一直冷漠，即使TOMMY表示要离开的时候，他也只是双手叉腰，再一次表现了他的焦虑和不耐烦。
SHOT #6
http://npxgva.bay.livefilestore.com/y1pjBnDXCADVNzzKQf6EwQUZx7ox3eRCO9S5E0Eyf74-bPUHuhxFcWokozclMIM8SQB5VFoPENCMNFsgkMGZwQ33Q?PARTNER=WRITER
While Joe express his (or they brother’s) appreciation for Tommy’s visits and sends him out, Jack pace to the crossing. This action accords with his impatient manner toward Tommy. In the living room, Vicky stands up and calls Tommy when she notices his leaving. Her voice serves as an intention to hold audiences attention on the continuous narrative. As in the some shot, we can see Jack is beginning to stare at Vicky. This indicates that his mind has diverted from his worries before the fight to irrational jealousies toward his wife. The setting in this scene make it possible for Jack to clearly see Vicky in the living room and the outgoing guests at the door, hence to prepare for the next plot.
当JOE送TOMMY并表示感谢来访的时候，JACK只是跺到通道口，并没有出去，这个举动符合了他对待TOMMY勉强的态度。VICKY听见Tommy要离去时，从客厅站起，叫他等等，表示要出来送客。她的声音同时引导了观众对下一情节的注意。.画面这时并没有切换，通过JACK的动态来可以看出他已经开始注视VICKY。暗示他的心里活动已经从对比赛的焦虑转移到妻子的猜疑和嫉妒中。场景方面，我们可以注意到JACK站着的地方刚好能够清楚看到客厅的VICKY，以及门口要离去的客人，为下一幕情节的发展起了空间上的准备。镜头运用方面也更多通过JACK的视角来捕捉画面，体现他的心里活动及情绪反应
SHOT #8
http://npxgva.bay.livefilestore.com/y1pxlJ3So8_-PRpWAhZng3apoLeBM8vsu4tq9SsJaDo6DsI0vB9_EN0jOxZ0zLjCi4qeIC10ckLEUwjeJK0hrwkeA?PARTNER=WRITER
http://npxgva.bay.livefilestore.com/y1ppzxLJtMoAFZgafB1nJeOXcyG16TEZ7w4BLus4RiV82Zuo8Ovmd0FENgRKPEURzdh6jDnY8CN6e82oAGcy_SnKw?PARTNER=WRITER
SHOT #7 SHOT #9
http://npxgva.bay.livefilestore.com/y1p4h9StPllcOINK4I2eGMO3GnNzuI45m754dgIvFaqcOKcRzQgLkJxvGgAXpuPaSNuO-RDvpR3DJLgKDkeQR2vog?PARTNER=WRITER
http://npxgva.bay.livefilestore.com/y1pPj0HOVC-XXtK3knnh-kJtR7AlcQOXuA1c7oIvf2XDr8faaZKdtZJ4NWTeV1uT3ikpZxTJF-LZ8kdYZs3yK_iPA?PARTNER=WRITER
This scene begins with a close-up to show Jack’s expression when he follows Vicky with his eyes, and then cuts in when Vicky walks toward the door. The eyeline cuts indicate what he saw and allow the audience to follow by Jack’s point of view. As we can see Vicky dresses in a soft skirt with a smooth neckline and a sash girded round her waist, the costume helps to make an image of her nice figure and beauty. It further illuminates Jack’s unpleasant when she kisses Tommy goodbye. As the camera tracks her at the door, we can see another close-up of Jack’s expression: his face twisted with raised eyebrows and closed mouth. The editing makes an offer to display the process of Jack’s mental changes.
Shot 7用了一个Medium close-up来特写JACK 注视VICKY走出客厅，接着用了 a cut to indicate what he see and this allows the audience to follow Jack’s point of view. shot 8里VICKY的装扮：软质松垮的连身裙，敞开的领口，束腰带等，更加体现了她较好的身躯和美貌。镜头随着她推动到门口与客人告别时已变成close-up, 放大了更多角色肢体语言的细节。暗示JACK看见的是美貌性感的妻子走向另一个男人and kisses him goodbye.随后又是另一个JACK的表情特写，此时他的面部已经变得僵硬，眉头皱起，嘴角紧闭。这样三个镜头的衔接把1 JACK观察妻子的举动；2妻子have disrespect for him; 3 Jack愤怒 这样一个心里变化过程体现给观众
...
SHOT #1
http://npxgva.bay.livefilestore.com/y1pXU8A8dQH77DHhWOo-Dwh_mV7PfmDdCRhF2PV0IGSU9C_wHTEefl0hQdyw4AfcJwgjkhLM1c9xSOZ6eFGXTgPlQ?PARTNER=WRITER
After a quarrel with Vickie and Joe, Jack turned back to the room. We see him lying down on the bed. It is a bright and tidy bedroom. His eyes are closed and his face is twisted looking as though he is expressing anger. He is known to unleash jealousy and anxiety onto other,as if he ca not communicate with people but instead resort to violence. The film uses the low-contrast to achieve a more naturalistic lighting, and a long shot in this frame to depict character and his surroundings.
该情节从JACK躺在酒店的床上开始，之前他刚和客厅的JOE（哥哥）及VICKY（妻子）拌嘴，从画面中我们可以看见他的双眼紧闭，脸部表情僵硬。
SAME SHOT #1
http://npxgva.bay.livefilestore.com/y1pehVfoF1MDA4HKXTiSK2XYWRYXnBw5p5RIVwAX39k4b8MtODmwuPlcAKAiLJPSM9ijMbS8Ujs-QOxgcb_CPB2OA?PARTNER=WRITER
In the same scene, Joe knocks on the door and tell Jack that Tommy’s coming. At this time, Jack rises and leaves the room to greet his guests. The door is an important element in this sequence. On the one hand, it links two settings including the bedroom and the passage; On the other hand, it distinguishes two different worlds, Jack’s own inner world and the world around him. When Joe opens the door, he also opens the outer world to Jack.
同一个镜头里，JOE敲门进来并通知JACK关于TOMMY的来访。JACK起身离开房间招呼客人。门在这一系列的场景中是一个重要的元素，一方面它起到连接两个场景的作用（卧室与走廊）；另一方面，它也区分了JACK的个人世界，与他所敌对的外部世界。当JOE轻轻把门打开的同时，也暗示着他为JACK打开了外部的世界。
SHOT #2
http://npxgva.bay.livefilestore.com/y1pKr6J0hdgmBvlj6-9rkzbe9H3qZJqcH1xS4TrHPmo7BwFCsWwKKKTCNm2Yd0Ga0Dpkcv1CKdn4Wn0wus1vGa3RA?PARTNER=WRITER
The use of deep space allows two events to appear in the same image. In the foreground, Jack greets his guests in a reluctant manner. They dress in black and are standing in the narrow passage, a striking contrast with the background which Vicky chatting with others in a bright living room. At this moment, the space between objects and the camera not only further establishes the surrounding, but also implies a gap between Jack and his wife.
Deep space的运用让两个场景同时出现在画面上。前景是JACK在过道上和客人打招呼，空间拥挤，演员深色的着装也让画面呈现较暗，与远景明亮而宽敞的客厅产生对比。在这里，场景与镜头间的距离不仅进一步呈现了环境，而且也体现了JACK与VICKY之间的隔阂与不信任
SHOT #３－５
http://npxgva.bay.livefilestore.com/y1pTocMhIw43ck7IWwUMNL1fRFN8V3SRR0hP3Ob3KxorkS0bZLOG7IYJG3vAbsFJe88k_In8svwmPZko4iFV0jmPw?PARTNER=WRITER
http://npxgva.bay.livefilestore.com/y1pXZq_5BklDbSKyDgBHOgsjdsGYjucdnRUVFvQ97TrFNl8YAJ950D3m0ZbMkDKTdf8okYSiRU4OBU4KQEiCjE6OQ?PARTNER=WRITER
http://npxgva.bay.livefilestore.com/y1pTfUdqy7SmfFVWW0yET8-t0BvgazJPKRzmLu0sBTAlY8vl99EMRcB9M4oifBQg5NmFb9E0s6SIScYLuA5VieLbA?PARTNER=WRITER
After greeting each other，the camera moves forward with 3 close-ups of both Jack and Tommy. The background music continues, however the street noises fade away and makes an effort for the audience to focus on the conversation. Tommy asks some questions concerning the coming fight and wishes Jack luck. His face is shot from a high-level camera matching Jack’s eyeline, emphasizing Jack’s tall burly figure. After several shot/reverse shot, at the end of the dialogue a reestablishing shot has been used to show once again the spatial relationship introduced with the shot #2. In this medium long shot, we can see Jack stand with arms akimbo, again emphasizing his anxiety and impatience.
对于马上来临的拳王争霸赛，TOMMY对JACK表示了关心。但是JACK表情一直冷漠，即使TOMMY表示要离开的时候，他也只是双手叉腰，再一次表现了他的焦虑和不耐烦。
SHOT #6
http://npxgva.bay.livefilestore.com/y1pjBnDXCADVNzzKQf6EwQUZx7ox3eRCO9S5E0Eyf74-bPUHuhxFcWokozclMIM8SQB5VFoPENCMNFsgkMGZwQ33Q?PARTNER=WRITER
While Joe express his (or they brother’s) appreciation for Tommy’s visits and sends him out, Jack pace to the crossing. This action accords with his impatient manner toward Tommy. In the living room, Vicky stands up and calls Tommy when she notices his leaving. Her voice serves as an intention to hold audiences attention on the continuous narrative. As in the some shot, we can see Jack is beginning to stare at Vicky. This indicates that his mind has diverted from his worries before the fight to irrational jealousies toward his wife. The setting in this scene make it possible for Jack to clearly see Vicky in the living room and the outgoing guests at the door, hence to prepare for the next plot.
当JOE送TOMMY并表示感谢来访的时候，JACK只是跺到通道口，并没有出去，这个举动符合了他对待TOMMY勉强的态度。VICKY听见Tommy要离去时，从客厅站起，叫他等等，表示要出来送客。她的声音同时引导了观众对下一情节的注意。.画面这时并没有切换，通过JACK的动态来可以看出他已经开始注视VICKY。暗示他的心里活动已经从对比赛的焦虑转移到妻子的猜疑和嫉妒中。场景方面，我们可以注意到JACK站着的地方刚好能够清楚看到客厅的VICKY，以及门口要离去的客人，为下一幕情节的发展起了空间上的准备。镜头运用方面也更多通过JACK的视角来捕捉画面，体现他的心里活动及情绪反应
SHOT #8
http://npxgva.bay.livefilestore.com/y1pxlJ3So8_-PRpWAhZng3apoLeBM8vsu4tq9SsJaDo6DsI0vB9_EN0jOxZ0zLjCi4qeIC10ckLEUwjeJK0hrwkeA?PARTNER=WRITER
http://npxgva.bay.livefilestore.com/y1ppzxLJtMoAFZgafB1nJeOXcyG16TEZ7w4BLus4RiV82Zuo8Ovmd0FENgRKPEURzdh6jDnY8CN6e82oAGcy_SnKw?PARTNER=WRITER
SHOT #7 SHOT #9
http://npxgva.bay.livefilestore.com/y1p4h9StPllcOINK4I2eGMO3GnNzuI45m754dgIvFaqcOKcRzQgLkJxvGgAXpuPaSNuO-RDvpR3DJLgKDkeQR2vog?PARTNER=WRITER
http://npxgva.bay.livefilestore.com/y1pPj0HOVC-XXtK3knnh-kJtR7AlcQOXuA1c7oIvf2XDr8faaZKdtZJ4NWTeV1uT3ikpZxTJF-LZ8kdYZs3yK_iPA?PARTNER=WRITER
This scene begins with a close-up to show Jack’s expression when he follows Vicky with his eyes, and then cuts in when Vicky walks toward the door. The eyeline cuts indicate what he saw and allow the audience to follow by Jack’s point of view. As we can see Vicky dresses in a soft skirt with a smooth neckline and a sash girded round her waist, the costume helps to make an image of her nice figure and beauty. It further illuminates Jack’s unpleasant when she kisses Tommy goodbye. As the camera tracks her at the door, we can see another close-up of Jack’s expression: his face twisted with raised eyebrows and closed mouth. The editing makes an offer to display the process of Jack’s mental changes.
Shot 7用了一个Medium close-up来特写JACK 注视VICKY走出客厅，接着用了 a cut to indicate what he see and this allows the audience to follow Jack’s point of view. shot 8里VICKY的装扮：软质松垮的连身裙，敞开的领口，束腰带等，更加体现了她较好的身躯和美貌。镜头随着她推动到门口与客人告别时已变成close-up, 放大了更多角色肢体语言的细节。暗示JACK看见的是美貌性感的妻子走向另一个男人and kisses him goodbye.随后又是另一个JACK的表情特写，此时他的面部已经变得僵硬，眉头皱起，嘴角紧闭。这样三个镜头的衔接把1 JACK观察妻子的举动；2妻子have disrespect for him; 3 Jack愤怒 这样一个心里变化过程体现给观众
...
愤怒的公牛Raging Bull(1980)
又名：狂牛(港) / 蛮牛(台)
上映日期：1980-11-14片长：129分钟
主演：罗伯特·德尼罗 Robert De Niro/凯西·莫拉蒂 Cathy Moriarty/乔·佩西 Joe Pesci/弗兰克·文森特 Frank Vincent/Theresa Saldana/尼可拉斯·科拉山多 Nicholas Colasanto/Mario Gallo/Frank Adonis/查尔斯·斯科西斯 Charles Scorsese
导演：Martin Scorsese编剧：Mardik Martin/Paul Schrader
